Dallas Art Fair (online iteration) April 2020

I’m very pleased to be showing with CONDUIT GALLERY in the online iteration of the Dallas Art Fair. The main art fair has been postponed until October.

https://www.dallasartfair.com/online/conduit-gallery

https://www.dallasartfair.com/online/

THE DALLAS ART FAIR ONLINE ONLINE | APRIL 14 - 23 Dallas Art Fair Online allows visitors to explore and collect works from curated exhibitions by our participating galleries. We invite you to experience the viewing rooms and connect with our exhibitors and their programs.

Dallas Art Fair 2020 - Dates: OCTOBER 1ST - OCTOBER 4TH Thursday, October 1 Private Preview and Preview Benefit Friday, October 2 11:00 AM - 7:00 PM Saturday, October 3 11:00 AM - 7:00 PM Sunday, October 4 12:00 PM - 6:00 PM EXPLORE THE 2019 FAIR.

Conduit Gallery opened in 1984 in the Deep Ellum neighborhood of Dallas, Texas. In 2002 the gallery moved to its current space in the Dallas Design District. Among the artists represented are: Sarah Ball, Annabel Daou, Vincent Falsetta, Jeff Gibbons, Kirk Hayes, Stephen Lapthisophon, Ted Larsen, Annette Lawrence, Lance Letscher, Marcelyn MCNeil, Fahamu Pecou, Maja Ruznic & Ludwig Schwarz.

Conduit Gallery: 1626 Hi Line Dr. Ste. C Dallas TX 75207 http://conduitgallery.com

Sarah Ball

AC 20, 2018, oil on linen, 35x35"

UNTITLED MIAMI BEACH December 3–8, 2019

Working with the personal photographic collection of Steve Turner, Sarah is pleased to exhibit: Reuben the Guide I, II and III, 2019. Oil on board. 7 1/8 x 5 1/8 inches (18 x 13 cm) at Untitled Miami Beach 2019

Steve Turner is pleased to exhibit at Untitled, Miami Beach 2019 with works by four American and two British artists. The human figure is common to all the works with narratives encompassing the personal, psychological or historical. Created amidst the backdrop of Trump and Brexit it is difficult to overlook the anxiety within each work. SARAH BALL, LYDIA BLAKELEY, JON KEY, GABBY ROSENBERG, DAVID SHROBE, BRITTANY TUCKER. Booth C11 - Steve Turner LA (info@steveturner.la)

Reuben the Guide III 2019. Oil on board. 7 1/8 x 5 1/8 inches (18 x 13 cm)

New set of etchings launched at the IFPDA print fair, New York

Paupers Press launch 6 new polymer etchings, to complete a publication of 12, launched at IFPDA, New York alongside new publications by James Turrel and the Chapman Brothers.

https://www.ifpda.org/print_fair

Untitled 2018

Polymer etchings

Paper size: 23 x 30 cm

Image size: 12 x 18 cm

Edition size: 25

Published by Paupers Press

The Paupers Press is a fine art print and publishing studio that works with many leading and emerging contemporary artists. The studio, based in Hoxton, London, was opened in 1986 and works both by commission directly from artists and galleries, as well as publishing under our own name

Established in 1991, the IFPDA Fine Art Print Fair is the largest and most celebrated art fair dedicated to the artistic medium of printmaking. Each year’s Fair presents an unrivaled opportunity to view and acquire outstanding works across the diverse range of periods and specialties represented by the IFPDA’s exhibiting members. While the Fair is known among museum curators and major collectors for its rare and exceptional prints, excellent works can be found in all price ranges, including exciting new projects from today’s leading and emerging artists.

PROTECTED BY ALARMS - mixed show opens

‘Protected by Alarms’ - an eclectic response to the confused and challenging backdrop of this moment in time. ’Protected by Alarms’ is curated by Joseph Clarke featuring works by Sarah Ball, Henry Hussey, David Kim Whittaker, Tim Shaw, Sax Impey, Jamie Mills, Roger Thorp, Jim Carter, Richard Nott, Andrew Litten, Laura J Adams, David Cooper, Samuel Bassett, Carlos Zapata, Abbie Trayler Smith and Paul Benney.

THE OLD VICARAGE FLATS, ST IVES

25/10 - 16/11 - Open : Tue-Sat 11am -4pm

Sarah Ball 'Immigrant (Unknown)’, oil on gesso primed panel, 41 x 31 cm

Anima Mundi is proud to present ‘Protected by Alarms’ which takes place in the empty and derelict, Vicarage Flats in St. Ives. The exhibition provides an eclectic response to the confused and challenging backdrop of this moment in time.

Opening in the run up to the scheduled Brexit deadline, ‘Protected by Alarms’, a title taken directly from the security poster on the door of the building, alludes to a form of personal and cultural incapacitation resulting from a mounting sense of anxiety, paranoia, fear and frustration at a time of mounting suspicion, despair, hopelessness and flux.

Vicarage Flats, which provides an integral backdrop for the exhibition, sits ripe for profitable gentrified renovation in a town over-run by second homes, yet, rather unusually the owners of the site are working to turn the building into affordable housing for local residents. The context for the future of the building at this time of potentials is one of community, hope and fairness sprouting from degradation. This exhibition posets wider questions of where humankind sits currently and where it might go from here at a time of extrapolating personal, cultural and environmental crisis.